Shuffle
August 6th, 2010
Christine just wrote about a project we’d conceived earlier this year called Shuffle. She’d set out plans to get three projects done this year, and this is the last one, so the pressure’s now on. You can read bits of our grant applications (which were rejected) in her post, but the general idea is more or less as follows:
Christine and I both have a bit of trouble fleshing out ideas – I’ve got a lot of little snippets of song kicking around that are lovely but unlikely to grow into full pieces. So instead of recording a regular 8-10 song album, we’re going to record 40 or 50 little snippets of music – just single ideas. The catch is that each track has to be able to somehow connect to any other one. You put them in your iPod and hit Shuffle, and you get a different piece of music every time.
I’m really looking forward to working on this. It’s both really creative and really geeky. Just my thing.
Tags: composing, recording, this is awesome
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Nfld
July 16th, 2010
Off to St John’s Newfoundland tomorrow at some ungodly hour. I’m playing with The Worst Pop Band Ever at the Wreckhouse Jazz Festival. Hoping to hook up with some friends (there are a lot of Toronto folks playing).
I’m trying to travel light, which is sort of offset by the fact that I’m packing a synth, so I’m going to be worrying about oversize/overweight/fragile checked luggage. But on top of that, I’m bringing a change of clothes, a pair of shorts, my swimsuit, my laptop, my phone and a book. Yay traveling light. Not sure I’ll ever get it. But I need all this stuff. Here’s what I’ve set out for myself, if I miraculously end up with nothing to do in St John’s:
- Try to understand Henri Bergson (the book: Thinking in Time by Suzanne Guerlac)
- Set up an iPhone/Ableton Live/Pure Data rig for some upcoming gigs with Kush
- Work on some stuff in Pure Data for an interactive project with Simon and Javier
- Find some good fish & chips
I’m pretty sure I can pull off #4.
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Humble
July 3rd, 2010
Since we (finally) hooked up our turntable, Raffi‘s Singable songs for the very young has been in pretty high rotation. I listened to it a lot as a little kid, and now Max is too (the same copy). It’s got amazing musicians playing on it, like Bob Doige and several Whiteleys, but this segment from the credits was lost on me as a toddler:
Dan Lanois – mandolin (side 1, no.8)/bass drum; besides performing with Ray Materick, and Sylvia Tyson, Dan likes to compose music; Dan and his brother Bob own and run MSR Productions.
Now, playing with Sylvia Tyson and Ray Materick is about as close to stardom as I could ever hope for, but oh yeah – Dan will also make brilliant records of his own and produce The Joshua Tree, Teatro, Wrecking Ball, So, a ton of of other U2 and, of course, the year after this record, More Singable Songs, another of my big childhood hits.
“Dan likes to compose music”
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Lead sheet: They don’t have to be pretty
June 18th, 2010
I wrote They don’t have to be pretty after hearing Dean’s Dragon one night. It’s not a comment on their appearance. They look great. They also sound amazing. They’re clearly mostly crazy.
On Monday I got to play this tune twice – once with Christine at the Tranzac and once with The Worst Pop Band Ever at the Rex. Needless to say, they were pretty different performances, and both tons of fun. One of my favourite things about writing music is what happens when other people get their hands on it and I have to relinquish some control.
Lead sheet: They don’t have to be pretty (pdf)
Listen to Christine and I play it here.
Tags: composing, lead sheets, this is awesome
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Thomas Basbøll: Teaching as a Foreign Language?
June 13th, 2010
I really love reading Thomas Basbøll’s blog, Research as a Second Language. Someday I’ll write that well. Today’s post, Teaching as a Foreign Language?, hits spot-on one of the biggest challenges I face anytime I teach. I’m going to make this article required reading for every student I have next year at Sheridan:
Even our students have fallen for this new jargon. They seem more concerned about how “good” or “engaging” their teachers are than how smart or knowledgeable they are. They don’t presume that what their teachers know (precisely that which qualifies them to teach the subject) is relevant to their educational needs. They are ready to evaluate the “teaching methods” used in the course but not to think critically about the subject matter they are being taught. They presume to be able themselves to judge whether today’s lesson was too “abstract” or too “trivial”, and whether they are “learning something”. (As trained theorists increasingly attempt to impart “practical” knowledge they are less and less often satisfied, of course.) They are too easily (because too eagerly) confused by the differences of opinion they are exposed to, and forget to form an opinion of their own, except, of course, an opinion about the course and its teacher.
Exactly how I feel, but written beautifully.
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Pd, Python, MySQL
June 13th, 2010
I’ve spent a good chunk of the last few days getting Python running in Pd. Thomas Grill has written an external that allows you to wrap up Python code. It’s really beautiful, and I love Python, even though I’m a complete novice.
It’s been an adventure though. Pd forces Python to work in 32-bits, which means it needs a 32-bit version of MySQL, as well as a 32-bit build of the MySQL library for Python. On a 64-bit computer that becomes a bit of an issue.
So far I’ve got it working flawlessly within Pd, but trying to import MySQLdb from a straight up .py file (which should be easier) doesn’t work – says I’ve got the wrong architecture. Luckily I’m not planning on doing too much db work outside of Pd right now.
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Face Detection .02
June 8th, 2010
Better face detection: colour images, saves the original frame. Also (with the help of the php script) writes some info to a database: time, location (hardcoded for now) face position and dimensions, folder name, original image name. Everything can be linked back to the original and to everything else.
The next step is to do some after-the-fact analysis of the faces. Some kind of shape recognition so I can start swapping similar faces in the originals.
I would love to make this some kind of collaborative effort, where I try to make a narrative out of the material I’m gathering, while the computer’s trying to do the same thing, using its own criteria. Hopefully we’d work well together some of the time, but also completely disagree at other times. But first I’m going to try and do something similar with sound. That’ll be what I present for class next week.
Tags: face recognition, processing, thesis
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Lead Sheet – Calvin Klein for Ghosts
June 8th, 2010
Slowly chipping away at lead sheets. I know I have a lot of these as Sibelius files already, so I’m doing the ones I know I haven’t got.
Here’s a recording of The Deborahs (Roger Travassos, Chris Banks and me) playing Calvin Klein for Ghosts. We don’t play together enough.
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and the chart:
Tags: composing, lead sheets
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Max Owen Hughes, now 1
June 7th, 2010
Max turned 1 just over an hour ago. We’re really lucky to have such an awesome kid. Way to go, Max. We love you.
Tags: max
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Everything all the time
June 5th, 2010
I just spent the day recording with Everything All The Time. I’ve been a member of this band off and on for a few years. It’s off right now, but they were generous enough to invite me to play on The Pinnacle, a song we reworked while I was a member.
I love playing with EATT, and I regret having to leave – between baby, school and work I had no chance. The music is fantastic, but even more than that, they’re so good to work with. Everybody has enormous input compositionally and nobody’s afraid to speak their mind when something’s not working. It’s a warm, happy, effortless environment. A perfect balance between good, danceable music and creativity (often outright weirdness) that’s usually really difficult to get right.
Tags: composing, friends, recording
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